Many aspiring radio dramatists make the mistake of attempting to dramatise a novel or short story for radio before they have written and had produced several original radio scripts. You should master many of the challenges posed in the foregoing exercises first.
In dramatising I recommend that you read the book two or thee times. Then put it to one side and spend several days ruminating on a stylistic approach and a structure that will capture the essence of the book.
Thus with Henry Fielding John Scotney, instead of attempting to jump straight in and simply abridge the long and beautiful opening prose passage, decided to express the underlying theme by having the main (and some minor) characters interweave their diverse opinions in a witty, 18th Century manner.
They will be more clearly identified after the following introduction, as we enter the world of Fielding’s story and follow his narrative.
It is appropriate that we have left dramatization to last.
The Script
ANNOUNCER:
FIELDING:
1st ACTRESS
(Fervently respectful) Chastity!
2nd ACTRESS
(Ditto) Chastity!
PARSON ADAMS:
Ah yes, Chastity
LADY BOOBY:
(MOCKING) What!
FIELDING:
1st ACTRESS:
2nd ACTRESS:
(Catty) Who has not heard of the celebrated chastity of sweet, dear, pretty Pamela Andrews?
1st ACTOR:
2nd ACTRESS:
Or “Virtue Rewarded”.
1st ACTRESS:
2nd ACTOR:
Which she describes in some detail.
LADY BOOBY:
1st ACTRESS::
And so was able to legitimately enjoy those attentions, which he had so often attempted to force on her in vain.
1st ACTOR:
2nd ACTOR:
But what of her brother?.
JOSEPH:
Mr. Joseph Andrews, who by keeping his sister’s virtues ever before his eyes,
PARON ADAMS:
JOSEPH:
2nd ACTRESS:
Who has heard of him?
(MUSIC OUT, RATHER SHARPLY)
1st ACTRESS:
1st ACTOR:
FIELDING:
PARSON ADAMS:
The above is from Writing Dramatizations in Chapter 7 of Writing and Acting for Radio
by Shaun MacLoughlin. See the free copy here.